Current Season


FusionFest VII FusionFest VII Poster

Sept. 19, 2020

A 24-Hour Play Festival 

Starting at 7:30 pm Friday (Wallace Hall Plaza); Performance 7:30 p.m. Saturday (Wallace Hall Plaza)

What happens when entire plays are created, rehearsed, staged and performed for an audience – all in the span of 24 hours? Just about anything. And it’s a whole lot of fun to watch!

Welcome to FusionFest VII – Monmouth College Department of Theatre’s seventh-annual 24-hour play festival!

Here’s how it works: At 7:30 p.m. on Friday, Sept. 18, a group of playwrights will each randomly draw a team of actors, a director and a random phrase. The intrepid (and soon-to-be sleep-deprived) playwrights then have a mere 12 hours to write a short play featuring their actors and, at some point in the dialogue, their random phrase. At 7:30 a.m. on Saturday, Sept. 19, the playwrights hand off their brand-new creations, and the director and actors then have until 7:30 p.m. to rehearse, stage and memorize it all before performing before a live audience on Saturday night.

Hilarity and hijinks are bound to ensue as part of this chaotic and exciting theatrical event!

Directed by students of THEA 377: Principles of Directing

At Wallace Hall Plaza

An Enemy of the People  An Enemy of the People Poster

By Henrik Ibsen, Adapted by Arthur Miller

Oct. 23, 25, 29, 31, 2020

Thursday-Friday at 7:30 p.m.; Saturday-Sunday at 2 p.m.

When Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann’s good deed has the potential to ruin the town’s reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. Arthur Miller’s adaptation of Henrik Ibsen’s classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. A story for our politically challenging times.

Directed by Professor Doug Rankin 

At the Fusion Theatre

Dead Man’s Cell Phone

by Sarah Rhul

November 13, 15, 19, 21, 2020

Thursday-Friday at 7:30 p.m.; Saturday-Sunday at 2 p.m.

An incessantly ringing cell phone in a quiet cafĂ©. A stranger at the next table who has had enough. And a dead man – with a lot of loose ends. So begins Dead Man’s Cell Phone, a wildly imaginative new comedy by MacArthur “Genius” Grant recipient and Pulitzer Prize finalist Sarah Ruhl. A work about how we memorialize the dead – and how that remembering changes us – it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.

Directed by the Theatre Directing Class

At the Wells Theater


Black Mountain 

By Brad Birch Black Mountain Poster

Feb. 11-14, 2021

Thursday-Saturday at 7:30 p.m.; Sunday at 2 p.m.

Rebecca and Paul are running away. Away from memories and mistakes.

They’re trying to save their relationship. They need time and space. An isolated house in the country is the perfect place to work things out. They set themselves rules: they have to be honest, they have to listen and they have to be fair.

But you can’t run forever. Especially when you’re being followed.

Black Mountain is a tense psychological thriller about betrayal and forgiveness by winner of the Harold Pinter Commission Brad Birch.

Directed by Professor Todd Quick 

At the Fusion Theatre

Beauty and the Beast Beauty and the Beast Poster

Music by Alan Menken; lyrics by Howard Ashman and Tim Rice; book by Linda Woolverton

April 15-18 & 22-25, 2021 

Thursday-Saturday at 7:30 p.m.; Sunday at 2 p.m.

Step into the enchanted world of Broadway’s modern classic, Disney’sBeauty and the Beast, an international sensation that played a remarkable 13-year run on Broadway and has been produced in 37 countries worldwide. Based on the Academy Award-winning animated feature, the stage version includes all of the wonderful songs written by Alan Menken and the late Howard Ashman, along with new songs by Menken and Tim Rice. The original Broadway production ran for over 13 years and was nominated for nine Tony Awards, including Best Musical.

The classic story tells of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped under the spell of an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed into his former self. But time is running out. If the Beast does not learn his lesson soon, he and his household will be doomed for all eternity.

Directed by Dr. Vanessa Campagna 

At the Wells Theater